Kagan, D. (2018). Positive Images: Gay Men and HIV/AIDS in the Culture of ‘Post Crisis’. London: Bloomsbury. 320 pp.*
Representations of HIV and AIDS grew sparse and laden with imperatives of recovery, respectability, and individualism during the 1990s and 2000s. For Dion Kagan, this period of “post-crisis” was a time in which gay men sought to redeem themselves from the “narcissistically sexual” construction of homosexuality which preceded the HIV pandemic. In Positive Images, Kagan undertakes a detailed study of the ways in which gay men negotiated this “post-crisis” period. He defines post-crisis as life after the introduction of effective antiretroviral medicines. His careful attention to cultural trends, using HIV prevention studies, queer theory, gay and lesbian studies, and television and film studies, provides a comprehensive look at how these men lived with a virus turned chronic illness, and how their lives impact gay communities today. This text is appropriate for scholars and graduate students interested in the HIV/AIDS historicisation project, histories of safer sex, media and television studies, and the politics of representation. Kagan’s writing is concise and exceedingly accessible for those concerned with the development of HIV histories and sexual politics today.
*I was commissioned to review Positive Images for The Journal of Homosexuality in March 2019. Full review forthcoming 2020.